The Tide Experiment | Film Festival Agency News & Best Movies

Miss Julie – Last 2015 Release


Miss Julie, starring Jessica Chastain and Colin Farrell, is The Tide Experiment last release this year.

A country estate in Ireland in the 1880s. Over the course of one midsummer night, in an atmosphere of wild revelry and loosened social constraints, Miss Julie (Jessica Chastain) and John (Colin Farrell), her father’s valet, dance and drink, charm and manipulate each other. She, all hauteur longing for abasement; he, polished but coarse – united in mutual loathing and attraction.

By turns seductive and bullying, savage and tender, their intimacy leads to desperate plans and vision of a life together… Unsure if the morning brings hope or hopelessness, Julie and John find their escape in a final act as sublime and horrific as anything in Greek tragedy.

Miss Julie depicts a fierce battle for power and dominance, enacted through a cruel and compulsive game of seduction and repulsion.

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The film is now available on Vod in UK:

Google Play 

And Italy:

Google Play

Film Festival Agency News and Best Casino Movies

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Michael Madsen New Documentary ‘The Visit’ on Tide


“This film documents an event that has never taken place – man’s first encounter with intelligent life from space.”

Earth may not have been visited by aliens, but ever since the invention of radio and television, humans have been sending signals into outer space, announcing their existence to other civilizations, so the question is not ‘what if’ it happens, but rather ‘when’. With unprecedented access to everyone from the Director of the United Nations Office for Outer Space Affairs to experts from NASA, ISU (International Space University), the SETI (Search for Extraterrestrial Intelligence) Institute, and military advisors, the film builds up a chillingly believable scenario of first contact on Earth, beginning with the simplest of questions: Why are you here? How do you think? What do you see in humans that we don’t see in ourselves? Continue reading Michael Madsen New Documentary ‘The Visit’ on Tide

The Mark Cousins Hibrow Trilogy launches this summer on Festivals and VoD

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“Festival-to-date” is the new innovation of The TIDE Experiment

On the third year of experiments, in partnership with
The Festival Agency, The TIDE Experiment launches its new scheme of “Festival-To-Date” releases, where the films are launched on festivals and Video on Demand (VoD) nearly on the same date and in several European countries. With the Festival-to-Date releases we empower some films that otherwise would have only a few lucky viewers attending the festivals. The TIDE Experiment is a European-Commission supported project committed to innovation in distribution. Continue reading The Mark Cousins Hibrow Trilogy launches this summer on Festivals and VoD

White Shadow gets prepared for releases in spring 2015


White Shadow gets prepared for releases in spring 2015 in France, the Netherlands, United Kingdom, Hungary, Romania, and Lithuania. Parallel with the movie, a slot game with the same thematic was released. It has unique gameplay and huge prizes. Our readers can try this game for free in UK casinos by using promotional no deposit bonus. The film, executively produced by Ryan Gosling, had its launch in Venice and Sundance, and obtained several awards worldwide. Important film directors have recognized at public level the value of the film. “Francis Ford Coppola says White Shadow is “Timeless, haunting, horrific, beautiful “. Amat Escalante has added:  “An urgent film of pure cinema, raw like a spirit that moves and plays inside of you and will not get out without a fight.”

Continue reading White Shadow gets prepared for releases in spring 2015

Tide Experiment 2nd edition continues experimenting new models of film distribution.


Second edition of Tide  releases of Master of the Universe and White Shadow in more than 10 European countries.

TIDE, a project of SPIDE supported by the European Commission for two years in a row, is an experimental new model of distribution which promotes Day-and-Date Releases of Independent European movies.  After four Day & Date releases on its 1st edition (Viramundo, Magnifica Presenza, For Those in Peril and Après la Nuit), The Tide Experiment kicks off a 2nd edition to continue experimenting new models of film distribution. The two first chosen titles for this year are the award-wining finance documentary Master of the Universe by Marc Bauder and the daring feature White Shadow by Noah Deshe.

Continue reading Tide Experiment 2nd edition continues experimenting new models of film distribution.

Basil Da Cunha (Après la Nuit) sur Filmo TV



Un lieu se trouve au centre du film de Basil daCunha, Aprés la nuit : le bidonville créole de Reboleira dans la banlieue de Lisbonne. C’est là où réside Sombra qui y vit seul en compagnie d’un iguane. C’est là aussi ou  criblé de dettes, il est contraint à participer à un casse, un casse qui tournera mal bien sûr.

Basil Da Cunha n’a pas 30 ans, Après la nuit est son premier long métrage, une histoire dans laquelle il sait mêler le réalisme avec des éléments mystiques et mystérieux,  associer la rugosité et la tendresse, relier le rap avec l’accordéon… Des mélanges qui reflètent peut être la double culture de son auteur, à la fois suisse et portugais, qui a grandi à Lausanne et qui vit désormais à Lisbonne. Un début de parcours qui sort donc des sentiers battus, une ode comme le dit lui-même son auteur « à un certain savoir vivre » dans laquelle Pasolini côtoierait Hector Babenco. 

C’est donc de son  premier film que Basil daCunha est venu s’entretenir avec FilmoTV  en la personne de Laurent Delmas. Il nous a parlé de son expérience de tournage dans un décor pas comme les autres avec des comédiens pas comme les autres, mais aussi de ses projets et de son cinéma en devenir.

Le cinéma à l’abri du temps (Le Monde)

02 Avril 2014

Autour de la chronologie des médias s’est noué un dialogue transatlantique involontaire, au hasard des calendriers médiatiques et institutionnels. Côté Europe, la Cour des comptes française a rendu, mercredi 1er avril, un rapport sur les aides publiques au cinéma et à l’audiovisuel. Côté Amérique, un article du nouveau chroniqueur « techno » du New York Times, Farhad Manjoo, paru le 27 mars.

En français dans le texte : « Afin de maximiser les perspectives de recettes pour chaque partie prenante au cofinancement d’un film, les conditions d’exposition de l’œuvre sont assujetties au respect de la “chronologie des médias”. »

Continue reading Le cinéma à l’abri du temps (Le Monde)