Miss Julie, starring Jessica Chastain and Colin Farrell, is The Tide Experiment last release this year.
A country estate in Ireland in the 1880s. Over the course of one midsummer night, in an atmosphere of wild revelry and loosened social constraints, Miss Julie (Jessica Chastain) and John (Colin Farrell), her father’s valet, dance and drink, charm and manipulate each other. She, all hauteur longing for abasement; he, polished but coarse – united in mutual loathing and attraction.
By turns seductive and bullying, savage and tender, their intimacy leads to desperate plans and vision of a life together… Unsure if the morning brings hope or hopelessness, Julie and John find their escape in a final act as sublime and horrific as anything in Greek tragedy.
Miss Julie depicts a fierce battle for power and dominance, enacted through a cruel and compulsive game of seduction and repulsion.
The best casino movies are the ones that make us feel excited after we watch them. We are going to briefly summarize our top three choices.
Oceans Eleven. What started as an experiment movie the remake of the 1960 Oceans Eleven, ended up being a cult classic with a following to this day. The story of the movie revolves around Danny Ocean and the people he recruits with the intention of breaking in into three famous Las Vegas casinos; MGM, the Bellagio and Mirage to rob their vaults. The idea of this epic robbery is born when Danny Ocean has a relaxing casino night at his apartment, playing his favorite English roulette here.
Casino. The movie Casino from 1996 is a thrilling tale of a rivalry between a casino executive and his friend a mafioso. If you are a fan of love triangles, intrigue and shady dealings this movie will not disappoint you. Sharon Stone, which plays the love interest of DeNiro and Pesci earned a Golden Globe for Best Actress and an Oscar nomination for her performance. This movie is such a classic. It has most running to the nearest casino or just going online. Where they can play casino games, being inspired by the movie. If you too feel inspired grab a casino bonus and head in here.
21. Another great heist movie, 21 proved to be especially popular with audiences throughout the world. The story begins with a math student applying for a scholarship to attend one of the most prestigious schools in USA. After passing a challenging exam, he gets noticed and gets invited to join a blackjack team. The team uses techniques like card counting and signaling to increase their odds at winning at casinos. Follow the group in their adventures in winning millions of dollars, getting caught, and learning a valuable lesson in the end.
“This film documents an event that has never taken place – man’s first encounter with intelligent life from space.”
Earth may not have been visited by aliens, but ever since the invention of radio and television, humans have been sending signals into outer space, announcing their existence to other civilizations, so the question is not ‘what if’ it happens, but rather ‘when’. With unprecedented access to everyone from the Director of the United Nations Office for Outer Space Affairs to experts from NASA, ISU (International Space University), the SETI (Search for Extraterrestrial Intelligence) Institute, and military advisors, the film builds up a chillingly believable scenario of first contact on Earth, beginning with the simplest of questions: Why are you here? How do you think? What do you see in humans that we don’t see in ourselves? Continue reading Michael Madsen New Documentary ‘The Visit’ on Tide→
White Shadow gets prepared for releases in spring 2015 in France, the Netherlands, United Kingdom, Hungary, Romania, and Lithuania. The film, executively produced by Ryan Gosling, had its launch in Venice and Sundance, and obtained several awards worldwide. Important film directors have recognized at public level the value of the film. “Francis Ford Coppola says White Shadow is “Timeless, haunting, horrific, beautiful “. Amat Escalante has added: “An urgent film of pure cinema, raw like a spirit that moves and plays inside of you and will not get out without a fight.”
Second edition of Tide releases of Master of the Universe and White Shadow in more than 10 European countries.
TIDE, a project of SPIDE supported by the European Commission for two years in a row, is an experimental new model of distribution which promotes Day-and-Date Releases of Independent European movies. After four Day & Date releases on its 1st edition (Viramundo, Magnifica Presenza, For Those in Peril and Après la Nuit), The Tide Experiment kicks off a 2nd edition to continue experimenting new models of film distribution. The two first chosen titles for this year are the award-wining finance documentary Master of the Universeby Marc Bauder and the daring feature White Shadow by Noah Deshe.
On May 16th, in Cannes (Majestic, Matha 2), the European Commission and theEuropean Parliament organized a Conference to present the results of the three experiments, EDAD, Speedbunch and the Tide Experiment, held within the framework of the Preparatory Action “Circulation of films in the digital era”.
Un lieu se trouve au centre du film de Basil daCunha, Aprés la nuit : le bidonville créole de Reboleira dans la banlieue de Lisbonne. C’est là où réside Sombra qui y vit seul en compagnie d’un iguane. C’est là aussi ou criblé de dettes, il est contraint à participer à un casse, un casse qui tournera mal bien sûr.
Basil Da Cunha n’a pas 30 ans, Après la nuit est son premier long métrage, une histoire dans laquelle il sait mêler le réalisme avec des éléments mystiques et mystérieux, associer la rugosité et la tendresse, relier le rap avec l’accordéon… Des mélanges qui reflètent peut être la double culture de son auteur, à la fois suisse et portugais, qui a grandi à Lausanne et qui vit désormais à Lisbonne. Un début de parcours qui sort donc des sentiers battus, une ode comme le dit lui-même son auteur « à un certain savoir vivre » dans laquelle Pasolini côtoierait Hector Babenco.
C’est donc de son premier film que Basil daCunha est venu s’entretenir avec FilmoTV en la personne de Laurent Delmas. Il nous a parlé de son expérience de tournage dans un décor pas comme les autres avec des comédiens pas comme les autres, mais aussi de ses projets et de son cinéma en devenir.
Autour de la chronologie des médias s’est noué un dialogue transatlantique involontaire, au hasard des calendriers médiatiques et institutionnels. Côté Europe, la Cour des comptes française a rendu, mercredi 1er avril, un rapport sur les aides publiques au cinéma et à l’audiovisuel. Côté Amérique, un article du nouveau chroniqueur « techno » du New York Times, Farhad Manjoo, paru le 27 mars.
En français dans le texte : « Afin de maximiser les perspectives de recettes pour chaque partie prenante au cofinancement d’un film, les conditions d’exposition de l’œuvre sont assujetties au respect de la “chronologie des médias”. »